The Jersey sound they produced is more aggressive than variants in Baltimore and Philly, a harder kick with a harder chop on the samples and generally raised BPMs (Going as high as 150). Brick Bandits member DJ Tameil is often cited as its founding father, and once dubstep came into vogue on a national stage and Jersey Club’s ’s first wave died out, it was kept alive by artists like DJ Fade and DJ Jayhood. I was initially called “Brick City Club” back in the 90s, a reference to Newark and a close relative to Baltimore Club, which dates back to the 80s, an iteration of house married with hip hop that eventually made the 180-mile journey North on I-95, emerging from the Newark’s DIY club scene and eventually going international. Like trip house and hip house- the niche sub-genres that preceded it- Jersey Club is a hybrid of rap and dance music that has seemingly broken through to the mainstream like never before. Kendrick Lamar and Baby Keem just brought it a step further with their fun new collaboration “The Hillbillies,” which was produced by Evilgiane of New York’s Surf Gang. The drum pattern of “Just Wanna Rock'' has functioned almost as a secret handshake among niche music circles, but the secret is almost out. While “Jersey Club” may sound like the worst place on Earth,it’s actually a sound that rap is very much into right now. The crowd was participating in a dalliance that goes back generations. Uzi ran through the song once, then ran it back, calling a crowd of children and teens to the stage to perform the viral dance associated with the song. Some began hopping in place on one leg, and stabbing the ground with the other like they were mashing wasabi into soy sauce with it. The palpitating baseline and kick drum anthem “ Just Wanna Rock'' faded in and the young crowd began convulsing their hips in a manner with which you’re undoubtedly familiar if you or someone you love has Tiktok. The BPMs kicked up to around 150, as if someone had pierced the monitor’s breast plate and injected it with pure adrenaline. The crowd had been engaged and eating out of his hand for most of the performance, but in unison, a hush fell over the field and everyone snapped to attention, anticipating the big finishing move that was sure to come. Last week, as Philadelphia’s, native son Lil Uzi Vert neared the end of his set at Roots Picnic, the music died out, and Uzi surveyed the crowd like a wrestler at the top of a turnbuckle, preparing for the drop.
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